Asian Journal of Social Studies
AJSS, Vol. 1, No. 1, 2026, pp.32-45.
Print ISSN: 3106-6836; Online ISSN: 3106-6844
Journal homepage: https://www.assjournal.com
DOI：Https://doi.org/10.64058/AJSS260105cbczo
马黎丽（Ma Lili）
摘要：曹植《美女篇》中“明珠交玉体”以及《洛神赋》中“缀明珠以耀躯”所提及的大型饰物，应当是受佛教造像庄身璎珞的启发产生的书写。根据饰物的原材料、形制、佩戴方式并结合出土文物相关研究成果以及相关文献记载和文学书写进行分析判断，可确定这种大型饰物并非本土所出，而更接近佛教造像上的璎珞；依据东汉三国时期传入中国的犍陀罗菩萨造像的特征，以及曹植与佛教的关联，可推知曹植见过璎珞且受其启发的可能性极大；从“玉体”一词的隐含义入手，结合古代服装的形制，可进一步论证曹植笔下佩戴在轻透露肤服装上的饰物的原型只能是菩萨的庄身璎珞。在佛教的接受方面，曹植是开风气之先的文人。中国早期佛教对曹植创作的影响，说明佛教造像在宗教传布过程中的作用极为明显。在关注佛教教义之前，中国文人先接受了佛教艺术的熏陶。
关键词：曹植；盛装书写；佛教；璎珞
作者介绍：马黎丽，兴义民族师范学院文学与传媒学院教授，研究方向：中国古代文学。电邮：412653316@qq.com。
Title:The Connection Between Cao Zhi’s Ornate Writing of Poetry and Fu and Early Chinese Buddhism
Abstract: The large ornaments mentioned in Cao Zhi’s “Ode to a Beauty” as “bright pearls adorning her jade-like body”（“明珠交玉体”） and in “Rhapsody on the Goddess of the Luo River” as “studded with bright pearls to illuminate her form”（“缀明珠以耀躯”）were likely literary depictions inspired by the jeweled ornaments (yingluo) that adorn Buddhist statues. Based on an analysis of the raw materials, form, wearing method, and combined with research findings from excavated artifacts, relevant documentary records, and literary descriptions, it can be determined that this type of large ornament was not of indigenous origin but closely resembled the jeweled ornaments found on Buddhist statues. Considering the characteristics of Gandharan Bodhisattva statues introduced to China during the Eastern Han and Three Kingdoms periods, along with Cao Zhi’s connections to Buddhism, it is highly plausible that Cao Zhi had seen such jeweled ornaments and was inspired by them. Starting from the implicit meaning of the term “jade-like body” and considering the structure of ancient clothing, it can be further argued that the prototype of the ornament described by Cao Zhi as being worn over light, revealing garments could only have been the jeweled ornaments that adorn Bodhisattva statues. In terms of the reception of Buddhism, Cao Zhi was a literary figure who pioneered new trends. The influence of early Chinese Buddhism on Cao Zhi’s creative work illustrates the significant role Buddhist imagery played in the process of religious dissemination. Before engaging with Buddhist doctrines, Chinese literati were first exposed to and influenced by Buddhist art.
Keywords: Cao Zhi; Ornate Writing; Buddhism; jeweled ornaments
Author Biography: Ma Lili, Professor at the School of Literature and Media, Xingyi Normal University for Nationalities. Research Interests: Ancient Chinese Literature. Email: 412653316@qq.com.
